In The center of the city in Linz a huge interactive series of art installations has been installed until Oct 13th. Curated by Katherina Lackner and Genovea Ruckert, the exhibition tagline is “Elastic, Plastic, Fantastic”. The basic elements of visual art as a sensory thrill- point, line, space and time. Both contemporary work and important historical art are included in this ambitious exhibition. The viewer walks through of a circuit of installations situated on many floors and outside on the roof of the building.
This is a still shot from Manfred Mohr’s computer generated movie “Cubic Limit” from 1973-1974. Using straight lines and grids Mohr has shown a progression of cubic forms moving through space.
Mariana Apollonio’s Op Art piece “Spazio ad Attivazione Cinetica”, 1966-2015 creates the optical illusion of a warped plane using black and white concentric circles.
The most ambitious contemporary installation is on the roof. “Tube Linz” , 2019 is by the collective “Numen / For Use”
Viewers become part of the art when they climb into the undulating network of tunnels. The bright blue grid structure looks different from every position. Exploring line, space, and motion.
This year at Bridges there was a number of works made by beading artists.
Kris Empting Obenland used tiny beads to make the sculpture “Fit” . This work features 5 interlocking tetrahedra. I find the use of an alternating black and white beading pattern along the edges of the form creates a striking line drawing of the equilateral triangles in 3-D space.
“The Root Two Tunnel” by Jos Vromans is the generated by custom software written by the artist. This image on an aluminum panel was achieved by manipulating smaller squares within larger squares.The result is rotating triangles forming the illusion of a tunnel.
The annual Bridges Math/Art Conference was held in Linz, Austria this year. The art exhibition is an important part of the proceedings. I always find interesting new work feature on this blog.
This year there was a particularly diverse selection of work on display.
Master fiber artist Elaine Krajenke Ellison uses the art of quilt making to illustrate mathematical phenomenon. The hand-sewn quilt titled “The Sum Of Odd Integers” accomplishes the difficult feat of representing all 17 symmetry patterns.
Krystyna Burczyk creates 3-D sculptures by cutting, folding, and twisting sheets of paper. “Platenbau” features curved rectangular planes formed into a sphere using a complex interior structure but no adhesives.
The Luxembourg & Dayan gallery on the Upper East Side is presenting “Irma Blank painting between the lines” The work in this exhibition explores the visual structure of written language. Blank developed a process to represent text through gestural mark making without using actual alphabets or words.
In “Radical Writings, poem for Gaston Bachelard”, oil on canvas from 1995 Blank illustrates the basic geometry of the traditional codex book form. There is a vertical central spine and the evenly spaced horizontal lines.
Using linear parallel brush strokes to substitute for written language, the artist has removed the literal content from the concept of a book and focused on the abstract shapes and lines.
Mathew Marks Gallery’s currently exhibition ” Jordan Belson: Paintings 1950-1965″ features 23 painting some never seen before) and 4 films. Jordan Belson was a renowned, ground breaking film maker. His work was heavily influenced by the psychedelic activities in San Francisco during the 1950’s, but he was committed to the use of science and geometry in both his films and his paintings.
“Porazzo Polyhedra”, casein, tempera and pastel on board from 1965 incorporates pentagons and octagons to form a sphere. This is a clear reference to Buckminster Fuller’s geodesic domes.
This “Untitled” painting also from 1965 shows the artist’s interest in circles and rotational symmetry.
Belson did not exhibit his paintings after 1950. Looking at his work today we can see his paintings were ahead of their time and foreshadow the work of painters in the late 1960’s and 1970’s
The Journal of Mathematics and the Arts has announced an upcoming special issue devoted to artist’s statements. I will be editing this issue as a guest editor.
A lot of artists are not familiar with the concept of Math Art and I am often asked what is Math Art? Here is my definition: In order to be considered Math Art, art work must meet one or more of these three criteria:
(1) The work is created using mathematics,
(2) it presents mathematical themes,or
(3) it is expressing the effects of mathematics on society.
Any artist who makes work that falls into any of these classifications are encouraged to submit their statement for publication. You can find the submission guidelines here
Each Spring the Metropolitan Museum of Art unveils a new installation. This year the museum is presenting an Alicja Kwade”s installation titled “Parapivot”.The two steel and stone sculptures are based on perceptions of solar systems. Each is comprised of a series of rectangular black steel frames with stone orbs balanced on the beams. One structure features 3 intersecting rectangles and the other has 5 rectangles.
Here is the sculpture with 5 rectangles.
Each of the five frames are perpendicular to the ground. Looking at the work from a distance the view of the rectangular frames is distorted, appearing to be trapezoids and other irregular quadrilaterals.
Focusing on the intersecting lines of the bases of the rectangles helps to understand how the shapes have been arranged in space. Building a 3-D steel line drawing to create flat open planes juxtaposed with the weightiness of the stone spheres Kwade presents questions of perception.
The Miguel Abreu Gallery is currently presenting a group show titled “Mostly Early Works by Gallery Artists”. One of the works o display is an onyx sculpture from 2015 by Jean-Luc Moulène titled “Sample (Onyx)”
The sculpture is composed of five rounded cones. Two pointed in opposite directions to form an axis. The remaining three are jutting out perpendicularly to the axis.
The three cones around the axis are positioned at 120 degree intervals to create order 3 rotational symmetry. This symmetry is visible when the work is viewed at a looking straight at the points of the axis.