One of the trends that I have noticed in geometric drawings and paintings is the use of overlapping circles. There were two particularly interesting examples at the Armory Fair.
In the Galeria Nara Roesler booth, Julio L Parc’s painting “Alchimie 420” from 2018 was on display. This work offers a pointillistic representation of two half circles with concentric arcs radiating out from the top and bottom of the canvas. As the arcs get larger they overlap at the center and fall of the picture plan on either side.
The i8 gallery from Reykjavik Iceland presented Ignacio Uriarte’s 2018 ink on paper “ Eight Circles Form a Square”. Uriarte’s circles feature a textural shading technique that give them a 3 dimensional presence, but at the same time they appear somewhat transparent because you can see all parts of all 8 circles even they are over lapping. The square structure is formed by two columns of three over lapping circles and over that there is a central column of two non-overlapping circles. There are four sections where three circles and overlap.
These giant art fairs can be almost overwhelming. It is almost impossible to see everything. Buy because there is so much art in one place it is exciting to see how different artists deal with similar geometric themes.
It is March of n NYC so it is time for the giant art fairs. This year at the Armory show on Pier 94 galleries from all over the world brought an exciting assortment of work.
The Proyectosmonclova gallery from Mexico City exhibited the work of two artists whose work have Mathematical implications.
Gabriel de la Mora’s “193,200” from 2019 has two distinct mathematical themes, both geometric and numerical.The use of parallel lines with increasing frequency from top to bottom creates an electrifying pulse of geometric forms. The three rectangular horizontal rows explore the idea of positive and negative space. This work was created using 7;728 used sides from 3,864 match boxes from 193,200 burnt matches. The act of counting each of these elements expresses the intensity and detail in De la Mora’s artistic practice.
Eduardo Terrazas creates geometric forms using wool yarn on wood boards for the series “ Possibilities of a Structure” from 2018. Each of these works have an underlying stitch pattern featuring order 4 rotational symmetry and a circle inscribed within the square structure of the board. The symmetry is broken by highlighting some of the geometric forms with colored thread. Each shape possesses one curvilinear side. The concept of a non symmetrical pattern with a symmetrical framework offers a refreshing way to look at geometry.