Mignoni Gallery on the Upper East side of Manhattan is currently presenting an exhibition that juxtaposes Donald Judd’s aluminum wall sculptures and Kennet Noland’s geometric striped canvases.
“Untitled (Bernstein 88-14)” red anodized aluminum from 1988 explores the concept of positive and negative space. The solid raised rectangular boxes go from large to small, from left to right. The empty spaces between go from small to large from left to right. Judd’s horizontal structure creates a sense of linear movement across the wall of the gallery.
Noland’s “Galore” from 1996 is also an horizontal construction. The long flattened diamond shaped canvas is painted with a series of colorful straight lines. But instead of going straight across the wall, they run parallel to the lower left and upper right sides of the rhombus. This angled formation leaves the viewer slightly unbalanced.
The Met Brauer is currently featuring work recently acquired by the Metropolitan Museum of Art. This section of Modern and Contemporary Art is from Latin America, the Middle East, North Africa, and Asia. Shown along side work that has been in the collection for a longer time this exhibit shows how work from various parts of the globe have commonalities. Divided into thematic sections, two sections “Spatial Reiterations” and “Marks and Measures” present Mathematical content.
Kasuko Miyamoto’s “UNTITLED” installation conceived in 1977 uses string and nails to create a 3-D line drawing that maps two lines of points on the ground to grids on the wall.
In the section titled “Spatial Reiterations” This work explores the juxtaposition of line versus plane by mapping many points on the wall to each point on the floor.
Mark Bradford’s “Crack Between the Floorboards” from 2014 is located in the section titled “Marks and Measures”. Created using paper, paint and tape on canvas this work explores the patterns found within our living spaces. Featuring a strong diagonal line the square is divided with horizontal and vertical sets of parallel lines.