# Math Art

# Arakawa at Gagosian Gallery

# Proyectosmonclova Gallery at the Armory Show – New York City

It is March of n NYC so it is time for the giant art fairs. This year at the Armory show on Pier 94 galleries from all over the world brought an exciting assortment of work.

The Proyectosmonclova gallery from Mexico City exhibited the work of two artists whose work have Mathematical implications.

Gabriel de la Mora’s “193,200” from 2019 has two distinct mathematical themes, both geometric and numerical.The use of parallel lines with increasing frequency from top to bottom creates an electrifying pulse of geometric forms. The three rectangular horizontal rows explore the idea of positive and negative space. This work was created using 7;728 used sides from 3,864 match boxes from 193,200 burnt matches. The act of counting each of these elements expresses the intensity and detail in De la Mora’s artistic practice.

Eduardo Terrazas creates geometric forms using wool yarn on wood boards for the series “ Possibilities of a Structure” from 2018. Each of these works have an underlying stitch pattern featuring order 4 rotational symmetry and a circle inscribed within the square structure of the board. The symmetry is broken by highlighting some of the geometric forms with colored thread. Each shape possesses one curvilinear side. The concept of a non symmetrical pattern with a symmetrical framework offers a refreshing way to look at geometry.

Susan Happersett

# Finding Fibonacci

# “Falling into Place” at Odetta Gallery

The Odetta Gallery in Brooklyn is currently presenting a group show titled “Falling into Space”. It explores how physical forces affect the position of objects the artists each utilized a distinct geometric language.

Mary Schiliro’s acrylic painting on Mylar “Cat’s Cradle 7” from 2006 incorporates two columns of circular cutouts. The vertical line of reflection symmetry resulting from the cutouts is subverted by the fluid veil of blue transparent paint.

Schiliro’s installment “Disembody” from 2017 continues the theme of a straight line of circular cutouts. The long Mylar ribbon is presented in loops hung from a plexiglass rod running through the center of the gallery. The forces of gravity creating the undulating curtain. The cutaways lined up to create a series of voids illustrating the concept of positive and negative space.

Daniel G Hill’s wire frame wall drawing “Dishtowel Fold” from 2018 is a construction using straight lines to present the basic outline and folds of a form effected by gravity. The two ends are isosceles right triangles. The left hand triangle flush against the wall and the right hand triangle falling forward off the plane.

All of the work in “Falling into Place” involves each artists’ geometric processes in a very personal way. The viewer can move through the gallery and interact with each piece on a very human level.

Susan Happersett

# Josef Albers at David Zwirner

# More Art at JMM Exhibition

# Exhibition of Mathematical Art at the 2019 Joint Mathematics Meetings in Baltimore

# Knitting Circle at Joint Mathematics Meeting – JMM Baltimore 2019

This year the Joint Mathematics Meeting was held in Baltimore Maryland. There has been a lot of discussion into the mathematics involved in the patterns of knitting, crocheting and other needle crafts. One of the featured events at the conference was a Knitting Circle, where people could work on, and share, their fiber arts projects. Much of the work being produced had a mathematical component. Here are a few photos from the gathering.

Much more from JMM next week.

Susan Happersett

# Julio Le Parc at the Met Breuer

The MET Breuer is currently presenting a solo exhibition of the work of Julio Le Parc. Focusing predominantly on his work made around the year 1959, just at the time the Argentinian artist moved to Paris. Much of the work on display involves the use of sequences of geometric figures to create a sense of movement through space.

In “Rotation of Fractioned Circles” each of the unevenly divided circles remain the same. It the position of the dividing chord within each circle that changes as the circle rotates 10 degrees around it center point. The progression follows left to right then down to the next line then left to right again.

“Metamorphosis of a Line” is a series of nine panels beginning on the left with a horizontal line segment. This line segment seems to fold open becoming a rhombus with obtuse angles at the top and bottom vertices. These angles become smaller. On the fifth panel all vertices are 90 degree angles forming a square. The angles of the top and bottom vertices continue to decrease. The angles of the side vertices of become obtuse until the rhombus folds inward leaving a vertical line segment.

Le Parc’s elegant and precise gouaches illustrate geometric forms changing and moving through a series of consecutive images. These works are the precursor to his later Kinetic art in the 1960’s.

Susan Happersett