Kathryn Markel gallery is currently featuring the “Now and later” , Deborah Zlotsky’s solo exhibition. The show features painting as well as tapestries made from vintage scarves. The textile work elevates the geometric patterns of these design into Art to be hung on a wall.
“For Sure 100%” from 2019 explores the use of squares, diagonals and right angles in 20th century design.
“A peculiar influence, subduing them into receptiveness”, 2019 draws its strength from the vertical parallel lines of the long rectangular scarf.
What I really like about these tapestries is they are highlighting geometry we see around us every day.
Brenda Danilowitz has curated the wonderful Anni Albers exhibition at David Zwirner’s West 20th street gallery. Albers is one the preeminent fiber artist of the 20th century. There are s number of her weaving masterworks on display. What I found special about this show was the works on paper. There was one large room devoted to gouache color studies, drawings and prints.
Some of the pieces from the 1970’s really caught my eye.
In each of these three works Albers has used a grid of squares. The squares have been split in half diagonally. The resulting isosceles right triangles have been colored in contrast to the other half.
“Color Study (Blue and Reds)” is a gouache and diazotype on paper from 1970.
“Study for Second Movement III” graphite on paper, 1970
“Second Movement III” two color copper plate etching, 1978
The Everson Museum of Art in Syracuse New York is celebrating it’s 50th Anniversary this year. To celebrate they have are presenting great exhibitions. “Yoko Ono, Remembering the Future” is currently on display. Yoko Ono had her first solo museum show at the Everson in 1971. A conceptual artist, Ono’s work is often a set of rules or steps that can be carried out by other people in various settings. Some of the work includes Mathematical instructions. The construction “Morning Beams”(1997:2019) falls into this category.
The artist’s text that gives the parameters for installation is posted on gallery wall: “One hundred nylon robes emanating from a single source in the ceiling, suspended from top to bottom, anchored in concentric circles with metal plates”
Ono has incorporated both counting and geometry into to her expression of the phenomenon of sun beams.
Perrotin is featuring the work of Leslie Hewitt in a solo exhibition titled “Reading Room” at their gallery on the Lower East side of Manhattan. The show includes a wide range of media, photography and sculpture. It is the sheer metal, white powder coated “Untitled” floor installations from 2019 that offer the clearest geometric inspirations.
Each work consists of a flat rectangular plane that has a few linear folds. At these folds a section of the plane is bent at a 90 degree angle.
Each of the sculptures has at least one corner fold that forms an isosceles triangle with 45-90-45 degree angles that is perpendicular to the floor.
Here is an example with one corner fold and one fold that creates a rectangle also perpendicular to the floor.
This work has a isosceles triangle corner fold, a rectangular fold, then a third fold on the corner of the raised rectangular creating another Isosceles triangle.
The use of the flat white surface allows the viewer to concentrate on the folds and the resulting clean lines and shadows.
The Metropolitan Museum in NYC is currently presenting “Apollo’s Muse The Moon in the Age of Photography”. Commemorating the 50th anniversary of the TV broadcast of NASA’s Apollo 11 mission this exhibition early photographs as well as prints books and ephemera.
This is a page from Charles F Blunt’s 1942 book “The Moon’s Phases ,in Lectures on Astronomy;Beauty of the Heavens; a Pictorial Display of the Astronomical Phenomena of the Universe”.In the center of the diagram Blunt has placed a circle representing the moon divided into two sections. Encircling this moon are two concentric rings of twelve circles
For me one of the most impressive displays was the 19th century astronomical photography. All 71 plates of Maurice Loewy and Pierre Puiseux’s “Photographic Atlas of the Moon”. Here is one wall of the installation.
The multitude of perspectives on the same spherical orb is an elegant exploration of it’s geometry.
This year at Bridges there was a number of works made by beading artists.
Kris Empting Obenland used tiny beads to make the sculpture “Fit” . This work features 5 interlocking tetrahedra. I find the use of an alternating black and white beading pattern along the edges of the form creates a striking line drawing of the equilateral triangles in 3-D space.
“The Root Two Tunnel” by Jos Vromans is the generated by custom software written by the artist. This image on an aluminum panel was achieved by manipulating smaller squares within larger squares.The result is rotating triangles forming the illusion of a tunnel.
The Luxembourg & Dayan gallery on the Upper East Side is presenting “Irma Blank painting between the lines” The work in this exhibition explores the visual structure of written language. Blank developed a process to represent text through gestural mark making without using actual alphabets or words.
In “Radical Writings, poem for Gaston Bachelard”, oil on canvas from 1995 Blank illustrates the basic geometry of the traditional codex book form. There is a vertical central spine and the evenly spaced horizontal lines.
Using linear parallel brush strokes to substitute for written language, the artist has removed the literal content from the concept of a book and focused on the abstract shapes and lines.
Mathew Marks Gallery’s currently exhibition ” Jordan Belson: Paintings 1950-1965″ features 23 painting some never seen before) and 4 films. Jordan Belson was a renowned, ground breaking film maker. His work was heavily influenced by the psychedelic activities in San Francisco during the 1950’s, but he was committed to the use of science and geometry in both his films and his paintings.
“Porazzo Polyhedra”, casein, tempera and pastel on board from 1965 incorporates pentagons and octagons to form a sphere. This is a clear reference to Buckminster Fuller’s geodesic domes.
This “Untitled” painting also from 1965 shows the artist’s interest in circles and rotational symmetry.
Belson did not exhibit his paintings after 1950. Looking at his work today we can see his paintings were ahead of their time and foreshadow the work of painters in the late 1960’s and 1970’s