Brenda Danilowitz has curated the wonderful Anni Albers exhibition at David Zwirner’s West 20th street gallery. Albers is one the preeminent fiber artist of the 20th century. There are s number of her weaving masterworks on display. What I found special about this show was the works on paper. There was one large room devoted to gouache color studies, drawings and prints.
Some of the pieces from the 1970’s really caught my eye.
In each of these three works Albers has used a grid of squares. The squares have been split in half diagonally. The resulting isosceles right triangles have been colored in contrast to the other half.
“Color Study (Blue and Reds)” is a gouache and diazotype on paper from 1970.
“Study for Second Movement III” graphite on paper, 1970
“Second Movement III” two color copper plate etching, 1978
The Bellevue Arts Museum in Washington State is currently presenting “Atoms and Bytes – Redefining Craft in the Digital Age”. This exhibition addresses art, crafts, and design that utilize new technologies and software to create objects. Digital interfaces and equipment once found only in laboratories now are available to a more general public. Most of work on display has been created using tools like computer-aided design, additive layer manufacturing ( 3-D printing), and computer numerical control, which is a process that enables a machine to cut into a solid to create a new shape. There is also work created using constantly updated web based data in the galleries.
“50 Different Minds (Homage to Josef and Anni Albers)” by LigoranoReese is hand-woven from fiber optic threads. The patterns are determined by software that provides real-time web based data on air traffic at the nine busiest airport in the US. The colors are based on Josef Albers’ color theory and change in response to responses from viewers that use color words in their tweets.
LigoranoReese have woven together technology and the sociological implications of this technology to create an deceptively beautiful tapestry.
“Emerging Objects”, a design collaborative, uses small PLA plastic elements to build a structure that acts as a room. “Star Lounge” is composed of a multitude of PLA plastic hexagons. Some keep their shape as a regular hexagon, some are slightly misshaped to form this large domed igloo like form.
“Atoms and Bytes” presented the a broad selection of work intersecting the boundaries of crafts, design and art. The exhibition approached these objects on two fronts. The technical properties of actual the production were explained with an overview of educational wall texts. Individual signage addressed the cultural inspiration or implications of the items on display. This was one of the most technologically based, well documented, educational shows I have seen.