Art on Paper Fair

While the Armory Art Fair is definitely the largest of the March NYC exhibitions, there are a number of smaller but very interesting venues.
The Art on Paper Fairs always presents an exciting array of work created on paper.
“Shifting Center” by Katrine Hildebrandt-Hussey presented by Uprise Art is a large scale drawing the viewer can actually walk into.
This drawing features a horizontal line of circles positioned to have the  center point of one circle be on the circumference of the two adjacent circles. Concentric circles are drawn outward from each sometimes overlapping and sometimes obscured. The tubular structure creates the optical illusion that the circles are getting larger nearer the entrance to the space.
The NL=US Art gallery from Rotterdam in the Netherlands presented the large pencil drawings of Alexander Roozen. Hand-drawn repetitive mark making processes fill the entire surface are drawn within a mathematical grid structure. Roozen creates very detailed precise geometric renderings of topological spaces while still retaining the subtle texture of the hand work.
Susan Happersett

Art on Paper Fair

It is the first week of March, time for galleries from all over the world to display art at one of the half dozen large fairs in New York City. Since a lot of my own work involves paper, it makes sense that my first stop this year was the Art on Paper Fair. Here is just a quick overview of some of the work I thought had interesting mathematical connections.

As you walk into the large venue, you are greeted by Tahiti Pehrson‘s three monumental paper towers titled “The Fates” , presented by Art at Viacom.
This closer look shows the intricate paper cuts. Pehrson has used the Fibonacci sequence – obviously a favorite of mine – to develop a pattern of concentric circles.
I found these two watercolor and pencil in the Cindy Lisica Gallery booth. They are the work of Chun Hui Pak. The top painting is titled “Iris Fold Watercolor 19”, the bottom painting is titled “Iris Fold Watercolor 13”. These works are 2-dimensional representations of a 3-dimensional origami sculptures. The square format is placed on a diagonal, emphasizing the order-4 rotational symmetry of the form. The geometry of origami folding is of great interest to mathematicians using shading techniques. Chun Hui Pak has given us a type of portrait of the paper folding.
Anita Groener has made a series of pen and ink drawings that incorporate grid  structures. The Gibbons & Nicholas Art Gallery has the drawing “Units 3” on display. The underlying squares of the grid anchor parallel sets of straight lines that create the illusion of volume in the rectangular cage, like a prism.
Although the focus of this fair is more specific to the materials used to make the art, there was a diverse  selections of themes and forms represented. Art on Paper is open till Sunday March 5 2017.
Susan Happersett

Art Fair Week NYC

This past week there were nine different art fairs held in New York City. The largest was the Art Fair Week NYC that was held on a pier on the west side of town. The Contemporary Fine Arts Gallery from Berlin was there, featuring the work of Marianne Vitale. She made with this very interesting floor sculpture made of rusted steel rail road track.


Marianne Vitale – 2016 – Steel
Picture courtesy of the gallery and the artist

This piece is a square composed of four squares that are placed so the parallel lines of each square are perpendicular to the parallel line of the adjacent squares. This reminded me of the process of weaving with the perpendicular warp and weft.

The next day I went to the Art on Paper Fair where I saw this wall hanging “16th Vanishing and Emerging Wall” by Hideho Tanaka at the browngrotta arts (Wilton, CT) booth.


Hideho Tanaka – “16th Vanishing and Emerging Wall” – 2009
Picture courtesy of the gallery and the artist

Although the outer edge of this work is an oval the piece is all about parallel and perpendicular.


Hideho Tanaka – “16th Vanishing and Emerging Wall” (Detail) – 2009
Picture courtesy of the gallery and the artist

Each of the sections – most are square – are placed so that the parallel lines in each square are at a 90 degree angle with the parallel lines in the adjacent squares  in a similar fashion as the squares in Vitale’s floor sculpture.

Over the course of three days I saw a lot of art and navigated crowds of people. At some points it was bit overwhelming. It was gratifying to see two artists tackle the same geometric theme in two unique ways.

Susan Happersett