To celebrate tenth anniversary of the “Crochet Coral Reef” project The MAD museum in NYC is featuring an impressive installation. The project is the work of Margaret and Christine Wertheim through the organization they founded; The Institute for Figuring. By utilizing the properties of the crocheting to create hyperbolic surfaces, they have created textile art that represents the complicated structures of coral. The first artist to create hyperbolic forms through this method is Cornell Mathematician Daina Taimina in 1997. The Wertheims elaborated on these geometries to create the organic forms now on display.
The wall texts at the Museum offer nice explanations of Euclidean, Spherical and Hyperbolic geometry.
Some of the sculptures in the show are monumental in size, constructed with a multitude of forms.
“Coral Forest-Eryali” 2007-14 Christine Wertheim and Margaret Wertheim, with Shari Portet, Marianne Midelburg, Heather McCarren, Una Morrison, Evelyn Hardin, Beverly Griffith, Helle Jorgensen, Anna Mayer and Christina Simons.
The installations are very grand and beautiful but they also address numerous topics: the mathematical properties found in marine biology and the concept of “woman’s work” through the arduous communal effort to create these impressive structures. The most important topic, however, is the urgent need to inform the public of the dire situation of the world’s coral reefs. The warming earth, combined with water pollution from plastic trash, are endangering the living reefs.
Even so, wishing everyone a happy and healthy New Year!
The Matteawan Gallery in Beacon New York is currently exhibiting the work on paper of 17 diverse artists. Two of the artists, Greg Slick and Eleanor White, use geometric themes while exploring unique textural elements.
Untitled 10 (“Fieldwork” series), Greg Slick 2016, Acrylic on used sand paper
This composition by Greg Slick features a 2 by 4 checker board grid centered on a square background made up of four pieces of used sandpaper. The proportions for hard-edge minimal painting is inspired by the dimensions of ancient archeological sites. There is an interesting dichotomy between the spare black and white grids and the rich, almost suede-like, surfaces of the used sandpaper.
“Untitled 2015”, Eleanor White, 2015 pulverized roses, cocoa powder and paint
Eleanor White uses pulverized rose petals and cocoa powder to explore the properties of square grid overlapping circles. This work features complete and incomplete circles of the type in which each circle has four other circles intersecting at points with equal 90 degree arc lengths. White’s use of materials underscores the organic nature of circular formations.
Although all of the artists in this show work in very different themes and media, there is an underlying similar sensibility to the work. The gallery presents a cohesive experience of thoughtful and sensitive work that is not often seen in such a large group show.