The art of constructing mobiles is a mathematical exercise. Creating a well balanced suspended sculpture requires the artist to calculate the appropriate distances for each of the weighted elements. “Calder Small Sphere and Heavy Sphere” is the inaugural exhibition at Pace’s new palatial gallery in Chelsea.
This “Untitled” Mobile from 1932 features four white spheres of various sizes and one tiny red sphere. The spheres are attached to ends of suspended rods.
For this Untitled Mobile from 1934 Calder seems to create an almost impossible equilibrium. The top rod has a single solid form suspended on the left and a second rod suspended on the right. From the second rod there two more suspended forms.
Richard Serra’s installation “Forged Rounds” is on display at Gagosian’s Chelsea location. I have always been a fan of Serra’s large scale work. Walking among the geometric architecture of his sculpture takes me to an otherworldly place. The juxtaposition of the pure shapes with the texture of the rusted metal becomes a form of meditation. “Forged Rounds” consists of three galleries inhabited with huge solid steel cylinders.
The heights of the cylinders and the dimensions of the circular bases are variable, offering a changing view throughout the space.
The monumental presence of each of these cylinders become solitary entities that interact with the other cylinders in the room.
Kathryn Markel gallery is currently featuring the “Now and later” , Deborah Zlotsky’s solo exhibition. The show features painting as well as tapestries made from vintage scarves. The textile work elevates the geometric patterns of these design into Art to be hung on a wall.
“For Sure 100%” from 2019 explores the use of squares, diagonals and right angles in 20th century design.
“A peculiar influence, subduing them into receptiveness”, 2019 draws its strength from the vertical parallel lines of the long rectangular scarf.
What I really like about these tapestries is they are highlighting geometry we see around us every day.
Brenda Danilowitz has curated the wonderful Anni Albers exhibition at David Zwirner’s West 20th street gallery. Albers is one the preeminent fiber artist of the 20th century. There are s number of her weaving masterworks on display. What I found special about this show was the works on paper. There was one large room devoted to gouache color studies, drawings and prints.
Some of the pieces from the 1970’s really caught my eye.
In each of these three works Albers has used a grid of squares. The squares have been split in half diagonally. The resulting isosceles right triangles have been colored in contrast to the other half.
“Color Study (Blue and Reds)” is a gouache and diazotype on paper from 1970.
“Study for Second Movement III” graphite on paper, 1970
“Second Movement III” two color copper plate etching, 1978