The Massey Klein gallery’s is currently presenting “Vice Versa” a solo exhibition of Matthew Larson’s fiber works. Having developed a unique and arduous technique of embedding parallel rows of yarn into Velcro, Larson has created a series of stretched linen panels with geometric themes.
“Flat Structure” from 2017 at first glance seems to be a square with a diagonal line. Upon closer inspection that line is actually formed by a bend in each of the sections of yarn at the left upper corner.
Every line of yarn is s different length running from the right side of the square to the bottom. The nature of the fibrous material makes each bend slightly curvilinear, adding a subtle organic element to the geometric form. This juxtaposition of the idea of a straight edge square with a diagonal line with the softer corner folds creates a fascinating composition.
Concentric squares have been a popular theme for geometric painters like Josef Albers and Frank Stella. Tom Bronk has added a fresh and frenetic quality to the form.
Bronk’s painting “96(e)-1” from 1996 is currently display as part of his solo exhibition at the Andrew Edlin Gallery.
Featuring narrow horizontal bands of alternating contrasting colors, the squares seem to vibrate right off the canvas.
Tom Bronk is a self-taught artist having never attended an official traditional art school. But he did interact with artists since arriving in NYC in the 1970’s. He worked as a wall painter at the Leo Castelli Gallery and was introduced to the trends in contemporary art. That influenced combined with his inherent appreciation of geometry has resulted in an exciting body of work.
I am so happy Vandorn Hinnant sent me an invitation to his current solo exhibition “The Hidden Mathematics: a surprising connection between Math and Art” at The New York Hall of Science. This was my first visit to the Hall of Science located in a stunning 1964 World’s Fair building in Corona Queens NY. I had wanted to see the museum’s permanent “Mathematica” display for a long time but it was an amazing discovery to find out about their art galleries. What a great place to see Math Art!
Hinnart’s artistic practice is a perfect example of the visualization of meta-mathematics. Interested in exploring mathematical geometric as complete systems, his drawings achieve detail and accuracy relying only on the construction rules of Euclidean geometry using a straight edge and a compass.
Inspiration for these drawings and paintings come from numerous mathematical sources including the Fibonacci numbers, the Golden Mean and fractals.
“Navigator’s Song” from 1995 features both horizontal and vertical lines of symmetry as well as isosceles triangle forms.
“Aromatic Vortex in Red & White” from 2012 depicts a rotating series of equilateral triangles to build a spiral, referencing the Padovan sequence.
Hinnant credits the work of numerous historical figures in the development of his decades long creative process including Pythagoras and Buckminster Fuller.
Matteawan Gallery is presenting “It’s About Time” a solo exhibition of the work of Eleanor White. On display is the kinetic wall sculpture “Continuous Timer”. This work is comprised of hundreds of glass and sand timers arranged on a spinning wheel. Featuring a high order of rotational symmetry by adding movement this piece references the infinite symmetries found in circles.
The constant re-leveling of the sand within each glass timer breaks the symmetry with the introduction of the concepts of gravity and equilibrium.
“Continuous Timer” is one of the best examples of a work of art using mathematics as a metaphor for time and relativity that I have seen.