Vandorn Hinnant at the New York Hall of Science

I am so happy Vandorn Hinnant sent me an invitation to his current solo exhibition “The Hidden Mathematics: a surprising connection between Math and Art” at The New York Hall of Science. This was my first visit to the Hall of Science located in a stunning 1964 World’s Fair building in Corona Queens NY. I had wanted to see the museum’s permanent “Mathematica” display for a long time but it was an amazing discovery to find out about their art galleries. What a great place to see Math Art!
Hinnart’s artistic practice is a perfect example of the visualization of meta-mathematics. Interested in exploring mathematical geometric as complete systems, his drawings achieve detail and accuracy relying only on the construction rules of Euclidean geometry using a straight edge and a compass.
Inspiration for these drawings and paintings come from numerous mathematical sources including the Fibonacci numbers, the Golden Mean and fractals.
“Navigator’s Song” from 1995 features both horizontal and vertical lines of symmetry as well as isosceles triangle forms.
“Aromatic Vortex in Red & White” from 2012 depicts a rotating series of equilateral triangles to build a spiral, referencing the Padovan sequence.
Hinnant credits the work of numerous historical figures in the development of his decades long creative process including Pythagoras and Buckminster Fuller.
Susan Happersett

More Art from JMM – San Diego

There were so much interesting work on display at the JMM that I wanted to explore a few more.

Tom Bates – “Six Easy Pieces” – 30 x 28 x 25 cm -Bronze – 2010

Tom Bates’ cast bronze sculpture “Six Easy Pieces” is based on one of the Chen-Gackstatter minimal surfaces. Mathematical minimal surfaces are skin-like surfaces where the area is locally as small as possible. Quite often when minimal surfaces are represented as sculpture they are shown with a smooth surface. Bate’s bronze is unpolished and rough. I really like this more organic form. It adds an unexpected hand made feel to the work.

Elizabeth Whiteley -“Euclidean Arabesque 1”
41 x 51 cm – graphite + color pencil on archival paper – 2017

One of the exciting things about returning to the JMM show over a number of years is being able to see how artists’ work changes. This year Elizabeth Whiteley is showing elegant geometric drawings. These new renderings were produced using two circles with radii in a 1:0.75 ratio and arcs measuring 180 and 270 degrees. The drawing references Euclid’s Elements Book Three: proposition 12. The series of colored lines Whiteley has used to illustrate chords on the imaginary surface brings the form to life. The shape seems to float over the surface of the paper.
In case you are wondering what I brought to the JMM this year… I had one of my new lace drawings in the exhibit. “Syncopated Hexagons” features elements created on six axis (instead of four). These elements possess order 6 rotational symmetry.

Susan Happersett – Syncopated Hexagons
35 x 11 x 4 cm – Ink on paper – 2017

Susan Happersett