Dikko Faust has been making prints using rectangular sections of grids and other geometric line patterns. By shifting the grids across the plane he has created a series of overlapping prints. Recently he has added a new twist to his process. Faust has invented a new printing tool that allows him to rotate the rectangle around a central axis point.
(A quick note about printers’ measurements: In the print studio distances are measured in picas and points. One inch is equivalent to 6 picas and 1 pica is equivalent to 12 points.)
To measure the rotation of the rectangle, Faust uses a straight edge to form a line from the bottom corner of the rectangle that is perpendicular to the horizontal bottom edge of his press, and then measures how far from the center point to the horizontal line. The initial measurement for a straight up and down rectangle would be 12 picas from the center (the rectangle is 4″x 6″ or 24 by 36 pica).
Faust has been experimenting with what happens to different patterns throughout the rotation process
To better explore the relationship between the grids,Faust has made series of two-color prints. He has selected only the prints that are the most visually interesting. Making consecutive prints with the number of ratio of pica differences to correlate with the Fibonacci Sequence is one technique.
The day I was in the studio, Dikko was working with a pattern he had created using airline (1/2 point) rules. He used parallel lines: there is 1 point of space between the first two lines, 2 points between the 2nd and 3rd line, then 3 points between the 3rd and 4th….. up to 6 points of space between the 6th and 7th line. Then the whole pattern repeats 12 times.
While I was at the printing studio Faust was making a single print with multiple rotational images. I took pictures throughout the process.
This is an early stage of the process: it has the original line print plus a 5 pt and 10 pt rotation clockwise and a 5pt and a 10pt rotation counter clockwise.
This is the finished print. There are 5pt, 10 pt, 15 pt, 20 pt, and 25 pt rotations in both the clockwise and counter clockwise directions. The process that Faust has developed to create these new prints is very algorithmic. It requires a commitment to experimentation trying different patterns and rotations. The outcomes are then judged on their aesthetic merit determining which prints are to be completed works of art.