Mark Reynolds creates complex drawings of intense networks of geometric grids. The exhibition provides the public with some some sketches and studies to reveal some of the artist’s processes.
There are two different ways Reynold’s starts his patterns. One of the techniques utilizes historic images. This vitrine contained a small reproduction of a Botticelli painting with a sheet of tracing paper on which a series of guide lines have been drafted. There is also a notebook with a studies for the drawings that are based completely on Mathematical phenomena.
The drawing “Double Phi Series, Ideal Mathematical Space 23,11,16”, from 2016 employs both linear and curvilinear grids to fill the plane. This particular piece is more orderly then some of the other drawings at first glance it seems as though there might be two axises of reflective symmetry, but on closer inspection the two points on either side from which a series of rays emanates are not in the center of the side. There is only a vertical line of mirror symmetry.
“Square Series: Generation of the Harmonic Mean, 3-4-6, 11-29-12, from 2012 presents two opposing ideas. The sequence of rotating squares provides well ordered geometric shapes while the underlying cacophony of line work gives the feeling of disorder.
The detailed and precise complexity of the many layers of grids within Mark Reynold’s work unveil the order within chaotic patterning.