Roman Opalka at Dominique Lévy Gallery

In 1965, Roman Opalka began his mission to paint the numbers from 1 to infinity consecutively. In that year, on a black canvas, he painted the number 1 in the upper left corner with a tiny brush and white paint. He continued this practice through 233 canvases over more than forty years. The title of this monumental work is “1965/1- ∞”. Each of the individual canvases is simply titled “Détails”. There are between 20,000 and 30,000 numbers on each canvas. In 1968 the artist  switched to a gray background, then after counting to one million, he added 1 percent more white pigment to each new background until 2008 when the work became white on white.

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The Dominique Lévy Gallery on the Upper East side of Manhattan is exhibiting a selection of paintings from “1965/1-∞”, as well photographs of the artist that he took everyday in front of the canvas on which he was currently working. This photo documentation of time passing and the artist aging, creates an especially poignant message. There was no way for Opalka to actually reach infinity in his paintings. It is the poetic nature of these canvases that relates the spirituality of counting. The artist addresses the importance of numbers in the human psyche to signify progression.The concentration required to physically paint this list of consecutive numerical digits seems like a meditation on both time and mortality.
58-2Pictures courtesy of the gallery and the artist.

More MathArt next time,

FibonacciSusan

 

Charles Thomas O’Neil at Howard Scott Gallery

Charles Thomas O’Neil

The Howard Scott Gallery in Chelsea NYC is currently exhibiting a selection of Charles Thomas O’Neil’s recent abstract paintings.

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Untitled 2740, 2013
Picture courtesy of the artist and the gallery

The painting “Untitled 2740” (2013)  has a vertical line of reflection symmetry running through the center of the canvas. The top section of the features a rust colored bridge-like shape enclosing a white rectangle. The bottom section of the painting has a variation of the bridge shape in dark grey.

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Untitled 2741,2013
Picture courtesy of the artist and the gallery

The oil painting on panel “Untitled 2741” (2013) is a 2-D rendering of what appears to be a 3-D impossible object. It looks like a rectangular bar with square ends positioned so both ends are visible to the viewer. This work has 180 degree rotational symmetry.

O’Neil’s geometric designs are enhanced by his use of saturated colors that immediately draws in the eye of the viewer. I also appreciate his use of visible painterly strokes which keep the work from looking flat and static.

More MathArt next time.

Susan Happersett