Bridges Math Art Conference Seoul – Part 3

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There was so much interesting work at the Bridges Conference Art Exhibition it is difficult to select just a few but… here are a few more of my favorites.

John Hiigli

John Hiigli is a New York based artist whose work I have admired for years. His Contribution to the exhibition included an outstanding black and white painting titled “Chrome 203 Homage to De Barros I: Translation”:

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Hiigli – Chrome 203 Homage to De Barros I: Translation
Picture courtesy of the artist

This painting is a great study of the power of positive and negative space. Hiigli uses 3/4 squares in alternating black and white to build a square pattern that he then uses to create a 3 by 4 grid of these square elements. I really like the concept of using a 3/4 fraction of a square, the general outline of the square remains even though 1/4 has been removed. These patterns are based on the work of Brazilian painter Geraldo De Barros.

Henry Segerman

There were a lot of sculptures at the conference that were made using 3-D printers.  One artist whose work stood out was Henry Segerman. His “Developing Fractal Curves” figures had a graceful presence and conveyed the narrative of the Mathematical sequences in an interesting linear fashion.

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Segerman – Deloping Fractal Curves
Picture courtesy of the artist

These four structures start at the top with the basic iterations of the fractals clearly defined. As the viewer’s eye travels down into the curves the patterns become more and more complex. These small sculptures do an excellent job of conveying the nature of fractal curves.

Mike Naylor

Mike Naylor has created an interactive Mathematical pattern generator called “Runes” that can be used on a tablet or smart phone. This program allows the participant to explore the operation of multiplication by making curves within a circle that is divided like a numbered dial. The more numbers on the dial the more complex the patterns become. ”Runes” is available here. Naylor has created an excellent tool to show students how a simple mathematical process, used in different permutations, can result in a wide variety of visual images.

Susan Happersett

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