I am always looking for exhibitions that reference the sociological implications of Mathematics in art. As I walked into this exhibition at the Guggenheim and read the introductory wall text I was immediately intrigued. Here is a portion of that text written by Sara Raza, (UBS MAP Curator, Middle East and North Africa):
But a Storm is blowing from Paradise: Contemporary Art of the Middle East and North Africa, which is presented on Tower Levels 4 and 5, focuses on geometry as a tool for the illumination of creative historical and philosophical inquiry. While rooted in the mathematical “thinking sciences” geometry is used here as a conduit for theories around logic and the origin of meaning.
The artists in this exhibition have referenced social issues through a geometric perspective.
This 2011 stainless steel and rubber installation by Nadia Kaabi-Linke titled “Flying Carpets” is based on the rectangular dimensions of carpets used by illegal street vendors to display and quickly carry away the wares they are selling to tourists in Venice Italy. Many of the vendors came from Africa and the Middle East and have traveled to Europe for a better, safer life. The title alludes to this exotic notion of travel on a Flying Carpet. Although the visual aesthetic is a complex geometric abstraction, it is merely the vehicle to express the plight of refugees.