When I heard the title “Delirious” of the current exhibition at the MET Breuer I did not immediately think Math Art. This show explores art from the 1950-1980 period that was in reaction to the tumultuous time after WWII. It includes a broad range of styles and themes. Two sections in particular feature work with mathematical implications :”Vertigo” and “Excess”. The introductory wall signage even mentions the artists’ use of mathematics and geometry.
There were so many pieces in this show that I would like to discuss that I will talk about it in two blog posts
One of the sections in the show is called “Vertigo”. Displayed in this area is work that warps the viewer’s perspective of space.
The 1965 painting “Snap Roll” by Dean Fleming uses flat isosceles triangles, trapezoids, and a single central parallelogram to produce the illusion of a 3-D form simultaneously pushing out of the plane of the canvas, and retreating into the same plane. This disorienting phenomenon disputes Euclidean Geometry.
Robert Smithson’s Untitled (Model) from 1967 consists of a square grid of plastic panels. Carving away layers to reveal a diagonal step pattern, Smithson creates reflective symmetry. Although all of the ends of the elements retain their square shape along each column and row, the openings appear to stretch and warp. This sculpture questions the way space changes when we go from a 2-D flat plane into 3-D object.
There were just so many wonderful examples of mathematically inspired art in this exhibit, it is hard to do it justice in a blog format. Next time I will write about the section titled “Excess”.
The artist Jacob Hashimoto has created a breathtaking installation at the Mary Boone Gallery in Chelsea NYC. “Sky Farm Fortress” fills the entire main room of the gallery.
This huge 3-D grid environment is comprised of a multitude of kite-like square, circular, and hexagonal elements. These small elements consist of thin paper over bamboo support bars that cross in the center.
The paper panels are suspended from the ceiling with black thread. The arrangements of these panels are based on the structure of the cube. They hang in a series of rows and columns, sometimes with large gaps, where only the thread is visible so the viewer can see the next series of shapes in the background.
The ceiling of the gallery is completely filled with the paper grid, that trembles as the air circulates through the room.
Jacob Hashimoto has created two different dichotomies in his “Sky Farm Fortress” installation. The work incorporates the rigid structure of a 3-D Cartesian system grid, but the individual elements are not static, they move in response to air flow of the gallery. Hashimoto uses small ephemeral paper elements that appear fragile in nature to construct a monumental work of art. I have already visited the gallery twice to experience this exhibition and I plan to go again. It will be on display until October 25th.
All pictures courtesy of the artist and the gallery.