Michael Anastassiades at 10 Corso Como

10 Corso Como has recently opened a NY  location of the famous Milanese store. Like its Italian counterpart the new retail space at the Seaport in lower Manhattan features an art gallery.
Michael Anastassiades installation “Arrangements” is all about scale. Based on the concept of jewelry the designer creates over sized geometric outlines using rods of light to fill the gallery space.
Each arrangement is constructed using a singular geometric theme.
Here is a structure made up of circles.
And a type of curtain composed of squares.
It is great to see a large retail establishment that is dedicated to cultural endeavors and provides a large dedicated art exhibition space.
Susan Happersett
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Beauty at the Cooper Hewitt

The fifth installation of “Beauty- Cooper Hewitt Design Triennial” is survey of aesthetics in contemporary design. On display are a number of objects with mathematical connections.

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Jenny Sabin 2015-2016

Jenny Sabin’s knitted architectural is based on Mathematics in nature and was commissioned specifically for this show. It was digitally knit using photoluminescent and solar active yarns creating a glowing environment of geometric webs.

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Daniel Brown -“On Growth and Form” 2- Video – 2013

Daniel Brown’s six minute video shows the formation of a series of mathematically generated flowers. These blossoms have been created through the process of coding algorithms to digitally render an idealized image of nature. The resulting video has an eery, overly perfect, super realistic quality, an aesthetic contrast from actual flowers.

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Michael Anastassiades – “Miracle Chips” – Marble – 2013

 

Michael Anastassiades’ white marble “Miracle Chips” are circular discs that seem to have been bent into concave surfaces. The sculpture presents a series of discs with increasing concavity. The smoothness of the curves leads the viewer to imagine it is possible to take  flat discs of marble and gently fold them into these elegant forms.

Mathematics was an important theme of the “Beauty” exhibition at the Copper Hewitt and the supporting text of the wall signage was clear in attributing the inspiration and use of mathematics by the artists and designers.

Susan Happersett