Morgan Lehman

The Morgan Lehman Gallery is currently holding it’s second Twenty by Sixteen Biennial. Each of the 38 artists displays two works of art, each 20 inches tall and 16 inches wide. The mathematical rules of the allowed proportions of the art work intrigued me. With these limitations the style and subject matter of each participant becomes even more important.

Eric Doeringer 20″ and 16″ (After Mel Bochner) both 2017
Picture courtesy of the artist

These two canvases by Eric Doeringer reference the work of Mel Bochner and are a direct answer to the parameters of the exhibit.

Wendy Small “Remedy” color photogram, 2016
Picture courtesy of the artist

Wendy Small’s two photograms titled “Remedy” feature botanical patterns that have been replicated four times to create both horizontal and vertical lines of reflective symmetry.

Carly Glovinski “Leisure Weave 6”,Ink on paper, 2017
Picture courtesy of the artist

The creation of plaid patterns involves all sorts of geometric possibilities. Carly Glovinski uses pen and ink to develop intricate woven plaid patterns. The seven horizontal strips are all of the same coloration and pattern with a reflective line of symmetry. The vertical strips are more complex. The two outer strips are the same stripes of colors but reversed in order. The next two strips are the same and they both possess reflective symmetry. the center strip is a type all it’s own but it also has a vertical line of symmetry. With all of these separate configurations Glovinski was able to create a 20’X 16″ panel of plaid with a both horizontal and vertical lines of reflective symmetry.

This Biennial has an underlying mathematical theme, through the prescribed size of the art work. Some the artists used these proportions to create work that included geometric and symmetrical exploration.

Susan Happersett

“The Visible and The Invisible”, Katia Santibanez’s new exhibition at the Morgan Lehman gallery, features the artist’s abstract paintings. Embracing patterns found in nature, these works incorporate a variety of geometry, symmetry, and repetition. One painting in particular, “Sleeping Memories”, incorporates themes from two different twentieth century art movements.

Katia Santibanez, “Sleeping Memories”, 2016
Picture courtesy of the artist and the gallery

Using concentric squares, this work references the practices of the Hard Edge paintings of the 1960’s. The geometric abstractions of Frank Stella immediately come to mind. But this is just part of the story. Santibanez has incorporated detailed strips of patterns of flora, reminiscent of the Pattern and Decoration Movement of the 1970’s. Robert Kushner and Miriam Shapiro often incorporated floral and plant inspired patterns in their work.

Katia Santibanez, “Sleeping Memories”, 2016 (detail)
Picture courtesy of the artist and the gallery

“Sleeping Memories” is an excellent example of work with a Mathematical structure that has been enhanced through the use of less rigid patterning to define the geometric space.

Susan Happersett