Renowned Mexican painter Francisco Castro-Leñero has a long history of abstract geometric themes. His current exhibition at the Howard Scott Gallery features a brilliant selection of painting created between 2004 and today.
Francisco Castro-Leñero – “Mandala (tres tiempos)” – 2016
Picture courtesy of the artist and the gallery
“Mandala (tres tiempos)”, which was painted this year, uses a 12 by 12 square grid format. The length of the side of the squares become the length of each of the radii used to create circular arcs, with the centers of the circles located at the corner of grid squares. The arcs have measurements of 90 degrees, 180 degrees, or 270 degrees. This technique allows Castro-Leñero to create undulating ribbons. The outer rows and columns of the painting have a white background with colored arcs on the left side and black and grey arcs on the left. The 6 by 6 grid at the center of the canvas features a a black background with white and grey arcs. This center square reinforces the contrast between the linear and curvi-linear geometry, as well as positive and negative space. By mapping a vocabulary of squares and circles, and displaying a virtuosity of color Castro-Leñero’s paintings build intricate geometric structures.
The Fall season is in full swing in the New York art world. All of the galleries have opened fresh shows and I am continuing my Math/Art treasure hunt. The Sikkema Jenkins & Co. gallery in Chelsea is exhibiting the brand new work of Terry Haggerty. A virtuoso of parallel lines, Haggerty is able to create an illusion of depth without the use of shading.
“Detatched” – 2015 – Acrylic on wood panel
Although the paintings are on flat panels of wood, the ribbons of line seem to bend and fold. Haggerty’s technique of using hard edge lines creates an optical paradox as his forms seem to loop through space.
“Torque” – 2015 – Acrylic on wood
The painting “Torque” depicts a closed loop that appears to be twisting around itself.
“Easily Lost” – 2015- Acrylic on wood panel
Image 3 x.
“Easily Lost” is one of the most complex structure in the exhibition.The ribbon of parallel lines is thinner than in other paintings and the loop is arranged in a circuit three overlapping rings.
Haggerty uses the vocabulary of Hard Edge and Minimalist painters from years ago, but by incorporating parallel lines he has allowed his geometric forms to optically leave the 2-dimensional plane.