I discovered a very interesting trend at the Chelsea galleries this week. I found three different exhibitions where an artist presented drawings, paintings, or sculptures, but also built an installation work that protrudes off of a gallery wall.
Robert Curry at Bryce Wolkowitz Gallery
Bryce Wolkowitz Gallery had a collection of Robert Currie’s perspex cases with monofilament line 3-D drawings.
In the sculpture “9,772 Inches of Black and Red Monofilament”, Currie uses a series of threads hand-strung in grids to form angled wedges of red and black that intersect at the center, forming an area of at what – at first – looks like disorder. Upon closer inspection the consistency of the patterns becomes clear. This work has a number of mathematical connections: The careful measurement of the monofilament is a defining factor in the title for this work. Currie uses a series of grid patterns to thread the work. There are intricate geometric shapes created within the cases. The finally mathematical connection is his allusion to Chaos Theory, where there is underlying order in what at first appears to be disorder.
At the entrance and in the hall of the gallery, Currie has installed a site-specific thread drawing based on the architecture of the room “12 miles 1647 yards of Black Filament”. This work explores the gallery space using repetitive straight lines.
Mark Hagen at Marlborough Chelsey Gallery
At the Marlborough Chelsea Gallery, Mark Hagen has created an aluminum and stainless steel space frame installation named “To Be Titled Ramada Chelsea #3”, that climbs in front of his “To Be Titled Gradient Painting #35”. This geometric construction features cube formations meeting at star formations formed by 12 line segments radiating out from a central point.
Ryan Roa at Robert Miller Gallery
The Robert Miller Gallery is presenting a group show titled “Six Features”. One of the artists, Ryan Roa, is exhibiting drawings that relate to fractions and geometry. In the same room he has created site-responsive installation that create a sense of movement within the space.
In his drawing “12X12 series #01”, Roa has drawn a multitude of equal line segments radiating out from two opposite corners of the square, creating two equal quarter circles that overlap along the diagonal.
In “12X12 series #02”, the artist uses the same technique of drawing equal line segments, but in this case they radiate out from the two left corners of the squares. The circles overlap to form a pointed dome shape. The right square is not completely filled in with lines: it retains the curves of the circle segments.
It is fascinating to me how Roa has been able to create two drawings with such different proportion shapes and energy using basically the same technique by only changing one parameter.
It is amazing that within the course of an afternoon walking only a few blocks I was able visit three installations of Mathematical constructions by artists with very different practices and techniques. By expanding their formats off the gallery walls, each artist has created an exciting space to engage with the measures, proportions, and geometries that make up their work.