The use of repetitive geometric patterns is a prevalent theme in abstract art. Lori Ellison’s paintings and drawings celebrate the hand of the artist, featuring a lyrical, hand drawn quality. Through the use of basic geometric shapes Ellison created lively compositions that hum, buzz and pulsate. The current exhibition at the McKenzie Fine Art gallery include small scale paintings on wood panels and drawings on notebook paper. All of this ambitious work was completed the year or so before the artist’s death in 2015.
This gouache on wood panel from 2015 measures 14 x 11 inches. Its compact format holds a profusion of triangles. The almost parallel columns of almost isosceles triangles are packed tightly on the plane. Alternating the the red and pink shapes, all of the red triangles seem to point right and all pink ones point left. This forms an interesting dialogue between positive and negative space.
In this close up of the same panel we can see more clearly that this work is not about the accurate measurement of pure clean geometry. It is some ways more complicated, more human. This is definitely a painting about lines, triangles, positive and negative, but it is also about the artist. The personal scale makes the viewer stand close to the work and be drawn into the patterning. Art can be about mathematics with out having to use a ruler or striving for perfection.
The current exhibition in the North gallery room of the Klein Sun Gallery is called “The Simple Line”. The show features the work of Beijing artist Gao Rong. Each of Gao Rong’s installation pieces is based on a circular hoop framework. Threads are stretched across the circle from evenly placed locations around the circumference. Although the basis of her subject matter is circular, through careful placement of the threads Gao Rong is able to create geometric arrangements featuring straight lines and angles.
This work contains a square grid of nine squares with the center square darkened with the overlapping of many lines of thread. this work at first appears to have two axis of reflection symmetry but this is only superficial. Upon closer inspection we see that some of the corners of the of the squares are much darker than others and taking that into consideration there is an order-2 rotational symmetry.
The next work is based on triangles. Starting at the bottom with single unit isosceles triangle, then moving up the structure, this single unit is overlapped by a triangle with a base twice as long. The next overlapping triangle has a base three times the length of the initial triangle Each subsequent triangle gets larger but also lighter in color. The shape seems to fade into the top of the circular frame.
There are two sets of theoretical juxtapositions in Gao Rong’s work. First and most is obviously the fact that the work illustrates linear structures within a curvilinear environment. Second, there is also the social statement of the use of colored thread, traditionally seen in women’s decorative needle work, to create very structured geometric diagrams that are heavily influenced by Mathematics.