Anila Quayyum Agha’s installation titled “Intersections” is inspired by the intricate decorative elements she encountered in religious buildings as a child in Pakistan. The work consists of a laser cut steel cube lit from within. The lines of the lattice work on the cube are projected unto the painted walls, floor and ceiling of the gallery.

The open work design is based on the geometric properties of Islamic patterning. Each side of the cube features a figure with 8-fold rotational symmetry inscribed with in a circle.

These symmetries get disrupted in the projection onto the gallery surfaces. Especially along the lines where the walls and floor meet. The geometry on the cube is precise but the shadows must bend to fit within the boundaries of the gallery.

Susan Happersett