Analia Saban at Tanya Bonakdar Gallery

“Punched Card”, Analia Saban’s solo exhibition, includes work from the artists “Tapestry” series. This series introduces two very interesting dichotomies. The patterns presented in these weavings are circuits boards that allude to the history of computers into the digital age. The title of each work references the actual technical hardware. This is juxtaposed with the process of weaving on Jacquard looms that was one of the first industrial uses of binary analog systems.

“Tapestry [1,024 Bit[1K] Dynamic RAM,1103,Intel,1970]”

For these weavings, Saban uses linen thread for the warp and strips of dried acrylic paint for the weft. This choice of materials opens the dialog about the distinctions between what has been considered fine art (painting) and craft (weaving). The first weaving you see as you walk into the gallery (above) is hung on a wall, but farther into the space there is an installation of tapestries hung from the ceiling.
Image 3

“Tapestry[Computer Chip, TMS 1000, Texas Instruments, 1974]

This installation technique allows the viewer to walk around the textiles and get better understanding of the weaving process.
This series of work highlights two topics that have are currently important and intertwined in art and society today, the development of technology and the artificial hierarchies in culture.
Susan Happersett
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